This model is perfect to use for: DVD Content. Have you ever wanted your footage to look sharper with more detail Take HD footage all the way up to 8K for use in high-quality projects. It was trained using a neural network that analyzes thousands of video pairs to learn how details usually get lost. The quality of output from Video Enhance AI is simply better than any other product available. Otherwise, you’re going to be giving the program footage that has a bunch of artifacts in it-even if it looks okay at first glance. Video Enhance AI is the perfect way to take good footage and make it great. Topaz Video Enhance AI is the only product that uses machine learning to extrapolate detail from your footage for a realistic look. Topaz Video Enhance AI is the only product that uses machine learning to extrapolate detail from your footage for a realistic look. So yeah, always stick to whatever the original broadcast was. In fact, that process is arguably even worse than the upscaling. If you do side by side comparisons, I would guess the PAL version is blurrier and may have weird fringing going on in little details.Īnd even if they did actually go through the trouble of rescanning the source film and re-edit everything just for PAL (unlikely), they’d still have to do something to change the frame rate from 24 to match PAL’s 25fps, and the processes they’d have available do this usually weren’t all that sophisticated. This means that even though the PAL version has ‘more’ pixels, they were just artificially added as part of the upconversion process, from whatever old machines/software they used back then. I don’t know the specifics of that conversion, but I’m going to have to assume due to its age that the show was simply converted straight over from NTSC to PAL. Colourlab is designed to help us transform digital video using the aesthetic. Users are going to have to resize them to legitimate resolutions anyway-and that’s only assuming they understand that there’s a problem in the first place. AI-powered color grading software that Hollywood content creators rely on. This really shouldn’t be happening, or at least it shouldn’t be the default behavior.Įven if the output is set to be an image sequence, which can technically support odd resolutions, the end result is always going to be a video file. The software is being so strict about maintaining the exact aspect ratio of the image that it’s forcing these illegitimate resolutions. This tends to happen a lot with video files that have non-square pixels, because the software first has to convert them to square pixels for the AI to use. I’m guessing there’s probably a lot of bugs being reported that can be traced back to this single issue. This is simply not acceptable for video files and can result in all sorts of strange behavior and crashes in video players and editing software. The program has a bad habit of automatically resizing video files to an odd number of pixels vertically, horizontally, or both.
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